![]() (The best thing about season two is how it suggests that Ansari could have been great at a bunch of alternate careers, and if he ever decides to host a reality series, I’m there from day one.) He spent the time between seasons learning how to cook pasta - and getting pretty good at it - in a small town in Italy, and as season two begins, he decides to return to his life in New York, where his acting career promptly lands him a job hosting a cupcake competition reality show. If Dev was someone who didn’t quite know what he wanted in season one, he starts season two as a man slowly re-entering his life. Season two opens with an episode that consciously riffs on the classic Italian film Bicycle Thieves and mostly lives up to the comparison, for God’s sake. The confidence it had in its first season is still there, but now it also feels like the kind of show that could do anything or go anywhere, and I’d follow. ![]() It would seem that Master of None creators Ansari and Alan Yang did, too, because season two is a bold step forward for the show. But I found myself savoring the moments when the show strayed from the formula and did something different, whether for small scenes or whole episodes. That formula was the right fit for a first season all about a young man trying to decide which path to take in his life. Master of None, Netflix's brilliant new comedy, is immediately one of TV’s best showsĭon’t get me wrong. I really did like the first season of Master of None, but I felt a sense of diminishing returns at its formula - “Dev Shah ( Aziz Ansari) thinks about something he hadn’t quite thought about that way for a while, then learns from his experience” - played out. Okay I’m contractually obligated to say more. As the world erupts with constant barrages of chaotic news, it feels more necessary than ever, this little love letter to the endless beauty of possibility. It believes in people and our stupid brains, and our even stupider hearts and movies, and love and snow and family and pasta and New York City. It sees the world not as a series of conflicts to be overcome, but as a series of experiences to be had, learned from, and understood through art. The show is so open and empathetic and big-hearted that you don’t mind when it transitions from a shot of lovers rolling around in the classic Italian film L’Avventura to a Master of None recreation of same. Vox-mark vox-mark vox-mark vox-mark vox-mark
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